Introducing The Christine Sling Pattern

The Christine Sling is definitely the bag I’ve worked on for the longest time.  For many reasons, the development would keep getting pushed, but I always knew it would have some kind of compact cross-body silhouette.  This bag first started off as a very slim phone holder, but with the passing of time, phones kept getting bigger and styles kept changing.  But when bags were being worn more across the chest and mid-back, I knew the sling had to be re-tooled a bit.  I made her a little larger than just a phone holder but still small enough for life on the go.

View B with added Piping

Inspiration

View A with rivet embellishments

With the slowly world opening back up with COVID-19, I knew I still wanted to have a small bag  to run in and out of stores quickly.  But now, our essentials of keys-wallet-cell phones have expanded to include masks and lots of sanitizer.  The depth of the bag had to expand with our needs.

View A with angled tab

On top of this, belt bags are definitely sticking around and I just love the sling look — especially with the accessory strap.  All of my bag patterns teach a different way to make/use a strap and this pattern is no exception.  With everyone using their phones and earbuds, I wanted to keep a quick pocket to hold a phone and the accessory strap to hold a Tiny Sophia Bag with either earbuds or that sanitizer!

Namesake

View A

As with all of my bags designs, they are named after my nieces.  Early on, I knew that Christine’s bag would always be a sling.  One – because it works with her name so well!  And two – when I started designing her bag, she was still in college.  I wanted to design a bag that could be a part of that care-free lifestyle while still being modern and on-trend.  That bag would also HAVE to  work with a busy lifestyle (Christine is also a nurse!) yet, would always be fun and cute like her <3  This bag is a perfect representation of my super funny and incredibly caring Christine.

Features

View A with chain strap

The Christine Sling is a small compact bag perfect for everyday.  It follows what I love in bag design — simple, clean lines with versatile styling and a modern twist.  As the “Sling” part of the name entails, this bag is meant to be worn across the chest or swung around the mid-back.  However, with a quick change of the accessory strap, the Christine can go to a full cross-body or even as a belt bag with adjusted length.  I am ALL about bag versatility!

  • Two Views – This bag includes instructions for two separate views.  View A includes piping and accent fabric for some fun raw-edge contrasting looks.  View B uses the same main fabric throughout for a sleeker look and comes together very quickly without the piping. 
  • Pockets – Both views have zipper and slip pockets which are the same for the exterior and the lining.  They are the perfect size to keep your phone or keys accessible. You can even omit the pockets altogether on the exterior for a classic look or double up the zipper pockets for extra security. 

View A inside out

  • Lining –  The lining uses bias tape to keep seams clean while also providing extra structure.

View B Strap

  • Strap -Both views also include a wide accessory strap for comfort and a D-ring to hold your ear pods or sunglasses. Use contrasting fabric or even some pre-made webbing for a fashionable statement strap!

Assorted Webbings

 

Fabric

View A + View B

Fabric Requirements:

  • 3/4 yd Main Fabric
  • 1/2 yd  Lining Fabric 
  • Scrap Accent Fabric
  • 2 1/2 yd  Woven Interfacing (e.g. Pellon SF101)  
  • 1/2 yd  Firm Stabilizer (e.g. Vilene or Pellon Decovil light)

This pattern is written for home decor and/or bottom-weight fabrics such as canvas, duck cloth, and denim with weights of ~ 6 oz per square yard or more. The lining is based on quilt cotton and any other fabric with the same weight (~4 oz) can be used such as linen, chambray and twill.  The accent fabric in View A is intended to be left with a raw edge, allowing you to use leather, suede, vinyl, cork or another non-fraying substrate.  This allows you to add some high-end details to elevate your bag.

In my samples bags for the pattern, I used Kokka canvas and Art Gallery Fabrics quilt cottons as my lining and bias tape for View A.  For View B, I used faux leather from BigZ Fabrics.  I like the thickness of this for bag making with pliability and it’s the same product I used for the Megan Bucket Bag.  The interior lining for View B is from Teresa Chan and I’m a big fan of her designs. Be on the lookout for many future projects with her fabrics 😉

I feel a little behind on the times, but I finally got the chance to try out some interfacing I bought from a little while ago*.  Let me tell you, this stuff is A-MAZING.  I used Vilene Decovil light (which is similar to Pellon Decovil.)  Let me tell you, the quality and adhesion is really nice.  I’m definitely a fan from the jump-off and have already ordered more!  But if you can only get material from the big box stores, Pellon products are fine but they won’t have as much structure and strong fusing as these other interfacings.  I say all of this, but it’s all to your own preference.   Always make sure to test other interfacing mixes with fabric swatches to see what you like before cutting.

*You know I always love to share where I source products, but it has recently come to light (11/2021) that this interfacing business has some polarizing views which I do not support in any way.  I have deleted mention of them from this post.

Hardware

Requirements:

  • (2) 1/2” Swivel Clasp
  • (3) 1/2” D-Rings
  • (1) 1 1/2” Slider
  • (1) 1 1/2” Rectangle Ring
  • (10) Sets of Rivets (8 mm post length) + Setting Tools
  • (2) Sets of 12.5 mm Snaps + Setting Tools

The pattern requires the following hardware listed above.  You can grab full kits in my shop here.

If you need help setting rivets, check out my video here.

If you need help setting the snaps, you can head over here.

View A with strap connectors

As a BONUS add-on to my Christine hardware kits, I’m also offering these incredible screw-in strap connectors.  I found them when I was ordering hardware for myself and thought they would be a great thing to introduce to you!  A video to install will follow, but essentially you completely finish the bag minus the (2) D-ring tabs at the zipper.  Once you turn out the bag, you punch holes right below the side gusset stitching and screw on these connectors, adding a little glue to the bolt.  That’s it!  This is a great way to have a professional looking bag.

Notions

View A uses piping which I think really finishes a bag nicely and instantly takes a bag up a level.  Although it take a little more time and patience to sew it in, it’s worth the effort, especially if you can just purchase it.  These ready-made packs are great from your big box stores or from my favorite place for notions, Wawak.

With the Christine, the lining is finished with bias binding which is a first for my bag patterns.  I went through several construction techniques and this is the best way IMO for this type of bag.  With the piping, you want to sew each side separately to feel where you are sewing.  A drop-in lining is possible (I tried it!) but it’s very difficult given how small the bag opening is.  I want you to have a good experience making this bag and I’ll save you the pain!  While sewing the binding takes longer, it is the easier method overall.  The pattern calls for 3/8″ bias tape and you definitely need to use this size because anything bigger will obstruct your zipper opening.  However, you can still purchase the ready-made 1/2″ double-fold packages seen above.  The beauty of this manufacturer is that not all parts of the folds are 1/2″,  so you can open up the tape and re-press so the long sides meet at the center crease.  This will give you 3/8″ double-fold bias tape!

Zippers

I am a HUGE fan of metal-look nylon zippers.  They have the high-end look fo metal teeth, but have all the ease of nylon –which means you can easily cut and sew right over the teeth!   My Handmade Space is one of my favorite spots for zipper kits and Wawak just started carrying them as well, but not with as many color and zipper pull options.

But the only finish I don’t like in nylon is brass.  (For some reason, it’s just way too bright yellow for me.)  I always go back to metal and like these long pull zipper from Wawak.  To make the double pull zipper,  you do need to buy a coverall zipper (that zips in both directions) and I replaced the pulls to match.

I hope you enjoy making and wearing the Christine Sling as much as I had designing it!  Please tag me on Instagram with your makes and post with #ChristineSling so we can enjoy all of these bags!

 

Happy Sewing!

Cristy

Megan Bucket Bag – Sewing Pattern

She is HERE!!!!!  What started as just a fun experiment in bag design (just for myself!) has turned into the latest new pattern, the Megan Bucket Bag.  This has been a labor of love with over a year passing since I first made it…..and then an extra month delay as the country locked down and I turned my efforts to PPE.  At times, it seemed like this pattern would never be published, but with all of your encouragement and an incredible tester team, it is available today in my shop!

Namesake

This bag is named after another one of my sweet nieces, Megan.  Every time I would see her, she always carried around a large purse and I knew a generously sized bucket bag would HAVE to be her’s!  She was always an avid reader and so this bag can carry around a small library if needed.  Megan loves  theater and has SUCH a beautiful voice.  It only made sense to have plenty of mix and match bag options for whatever “role” would come next.  Like my dear Megan, this bag is practical yet has just enough edge to stand out from the crowd.

Background

I’ve made nine different versions of the Megan Bucket Bag, starting with the OG, made with buttery taupe cowhide, which you can read about here.  This is STILL my everyday bag with the neutral color and has really held up well – as you would expect from genuine leather!  However, in order to turn this design into a bag pattern, I knew I had to edit it down.  For me, this is the hard part of creating patterns.  I had to adapt all of the features so that you could also make it in fabric, in leather, or a mix of both! This was another prototype version you can check out here.  This was my first fabric version I made while, of course, holding onto the leather details.  I still love that extra thin piece of leather on top of the strap….I’ll have to remember that for my next Megan bag!

Features

After teaching many bag classes and workshops, I know that many students want to make professional looking bags, but don’t necessarily have all the right equipment – including a heavy duty sewing machine.  So my goal with the construction, was to use some alternative techniques to take the bulk out of bag-making.  This helps to think outside the box so you can make bags with a wider array of equipment…not just industrial grade machines. “The Megan Bucket Bag is a fresh take on the classic slouchy bag silhouette, but with a more pronounced cube shape. The lines are clean with side seams hidden by overlays and rivets. There are two different views whether you want to make the Megan out of one fabric, or if you would like to use a raw-edge accent fabric to add a little more depth to the look.  With this pattern, you will learn different strap making techniques to take the bulk out of your fabric and gain ways to present a welt zipper pocket with plates or a cover. You will also learn an off-set bag technique for the overlays that won’t compromise your side seam stitching. There are plenty of options with snaps and the use of accent fabric for you to mix and match for your perfect bag.” This is a pattern for you to learn:
  • 2 -layer straps
  • Off-set overlay sewing to keep the integrity of the side seams
  • 4 different ways to present a welt zipper pocket with 2 plate options, a cover, or left bare.
  • Slip Pocket with an overlay
  • Connectors to help hold sides together
View A was designed for a single fabric and perfect for a newer bag-maker who wants to just use canvas.  This is a great way to start and learn new purse techniques without having to deal with other substrates.  However, this same version can be used with a single faux leather and still have a striking look. This view has a handy outside pocket with a cover to keep the look smooth and sleek but still has other details like the strap loops to add more interest. View B uses an accent fabric such as leather, suede, cork or vinyl that can be left raw edged without fraying.  These substrates are great looks to add more depth and texture to a bag.  The accent fabric is incorporated on to the side overlays, strap, and is used as decorative plating against the zipper pocket and slip pocket.  However, you can also swap out the accent fabric with some webbing to speed up your project. This pattern was written with mid-weight accent fabrics in mind with 2-3mm thickness to have enough structure in the strap.  However, I know there are a number of other fabrics you may want to use that are lighter and thinner – especially many types of cork.  Consider adding a second layer of accent fabric to the back of the strap as shown below.  Play around and see what you like!

Hardware

The main aesthetic element to the Megan Bucket Bag is the side overlay with a row of bright beautiful rivets.  Although I’ve used rivets for a long time with my bags, they were only in the patterns as alternation options for securing straps and such.  This time, the rivets are the featured stars and are not just for looks, but also for structural purposes.  They help secure the strap in place around the gorgeous O-rings.  This give such a strong, yet delicate look. To help hold the shape of the bag and keep contents safe, four sets of snaps are added to the lining.  They help keep the cube shape of the Megan while still staying slouchy like a good bucket bag does.  The purse can then be easily expanded by just releasing the snaps. Although the pattern includes the use of rivets and snaps, there are no actual instructions to install them.  Since there are SO many different types of hardware out there with multiplied by different tastes of the sewist, there was no way to include instructions for everything.  Rivets can be single sided and double-sided.  They can be shaped like pyramids, domes, or flat like burrs.  Snaps also have a number of  different sizes and features as well.  I prefer “spring” double cap snaps, but you can use magnetic or even sew-in snaps too!  This pattern allows you to use YOUR preference of material.   But just like with interfacing, you must remember to follow manufacturer’s instructions.  I’ll be showing my preferred methods of rivet and snap installations all next week, so keep an eye out!!! There are truly SO many different ways to make the Megan Bucket Bag.  If you are ready to make your own, click below for the pattern AND the hardware kits….it doesn’t get any easier, right?

|| Click HERE to shop the Megan Bucket Bag Pattern || 

|| Click HERE to shop The Hardware Kits ||

Project Details:

Tester Inspiration

There is nothing better than seeing all of your makes with my patterns.  Here are even more great versions from my testers to inspire your Megan Bucket Bag: I cannot wait to see all of your makes!!! Happy Sewing, Cristy
This post may contain affiliate links. Please read my full disclosure here.
Sonata Abbey Backpack

Abbey Convertible Backpacks with Sonata Fabrics

Happy New Year! Amy Sinibaldi is not wasting anytime bringing joy and beauty into the new year. She has a brand new fabric collection, Sonata, with an ode (pun intended) to classical music by Ludwig van Beethoven. Like Amy’s previous collections, these fabrics feature the most beautiful and delicate artwork. I love how her drawings are set against some sharp pinks and dreamy complementing blues with this release.

Abbey Backpack by Love You Sew with Sonata Fabrics

When I first laid eyes on these fabrics, I knew they would be perfect for my next bag pattern, the Abbey Backpack (estimated release in early spring.) These fabrics are so sweet and darling, that I had to pari them with my pint-sized mini bag. I chose the following fabrics from the collection (from top to bottom:)

Abbey Backpack by Love You Sew with Sonata Fabrics

When I first drafted this pattern, I though it would be a one-off design as a present for one of my nieces. But with the power of social media, you convinced me to turn my design into the Abbey Backpack. It’s been over a year since I made the first and only one…so trying to remember all that I did was a bit tough…

Abbey Backpack by Love You Sew with Sonata Fabrics

But I love a good challenge and like to play around with textures and techniques. With the blues of Sinfonie in Danube, I knew I wanted to make this bag a bit more masculine and added leather accents including this bit to frame the front zipper…and did you see the instruments?!?! In LOVE!

Abbey Backpack by Love You Sew with Sonata Fabrics

This deep cocoa brown leather was just a beautiful contrast…So I used it on the handle, on the back, the bag closure, and even on the base to help protect the contents.

Abbey Backpack by Love You Sew with Sonata Fabrics

For my bags, I always love a good lining with some personality. Floral No. 9 Bold is just that. The coral and orangey-red flowers really pop against the navy background.

Abbey Backpack by Love You Sew with Sonata Fabrics

I also love a surprise in the pockets. When digging around, it’s nice to have pockets a different fabric from the lining so you can see where to put your belongings…amirite? 1812 is an elegant low volume print and perfect pocket lining.

Abbey Backpack by Love You Sew with Sonata Fabrics

As with most of my plans, there is always a change. I snuck in some of the Ink Thunder print with all of the hardware connectors to break up the free space on the leather and the exterior print.

Abbey Backpack by Love You Sew with Sonata Fabrics

Since I designed this backpack for my young niece, this bag is smaller than your typical schoolbag, but still is great for all ages. Here is my (soon-to-be) 6 year old son modeling the Abbey.

Abbey Backpack by Love You Sew with Sonata Fabrics

With two separate color ways found in Sonata fabrics, I couldn’t help but also make two bags! I changed up many of the details to give the same bag, a completely different feel — including switching up where the strap connects on the Pastoral Magenta (with the itty-bitty strawberries!)

Abbey Backpack by Love You Sew with Sonata Fabrics

With the swivel clasps changed from the bottom D-rings to the top ones, the Abbey Backpack is now a cross-body bag! The adjustable slider allows you to change up the length of the strap for backpack or handbag use.

Abbey Backpack by Love You Sew with Sonata Fabrics

To change it to a backpack again, you detach the swivel clasps, adjust the strap length, fish it through the middle rectangle ring, and hook the swivel clasps back onto the bottom D-rings. Ta-da!

Abbey Backpack by Love You Sew with Sonata Fabrics

As the contrast substrate, I used AGF’s Solid Textured Denim in Evergreen Slate to line the bottom of both the exterior and interior of the Abbey Backpack. Since not everyone sews with leather, it’s nice to show another fabric like denim.

Abbey Backpack by Love You Sew with Sonata Fabrics

I loved Octet as the lining of the bag so much, I ended up using it also for the strap. The contrasting fabrics make the backpack so much more fun this way.

Abbey Backpack by Love You Sew with Sonata Fabrics

It was hard to photograph, but you know I got the Josephine Poetic in as my contrast pocket lining. You can see the pocket against this amazing magenta and the solid background shows again the Octet lining.

Abbey Backpack by Love You Sew with Sonata Fabrics

Look! The Abbey is just big enough so you can rock it as well. This is great light backpack for day-tripping or just running around town. When you get tired of taking it on and off, switch to a cross-body. How’s that for service? 😉

I hope you enjoyed some of my experimentation and thoughts on bag details. I’m not sure what will stay and what will go once the backpack pattern is published, at this moment. Let me know in the comments what you love the most, so I make sure to include it!

Don’t forget to swing by Amy’s blog to catch the whole Sonata Showcase. There are some incredible makes!

Happy Sewing, friends!

Cristy


Fabrics for this post were provided by Amy Sinibaldi as part of the Sonata Showcase.  All thoughts, opinions, and Abbey backpack design are my own.

Disco Double Zip by Love You Sew

Gift Idea: Disco Double-Zip Pouch as a Toy Bag

It’s holiday gift-giving season already and I’ve been thinking about my handmade line-up for awhile now.  I don’t know if I’m just getting better at planning or if the consumer marketing seems to be pushing earlier.  It’s probably the latter, right?!?  So, I’m going to try to show you some of my favorite handmade gift ideas through the blog and on Instagram (without leading to any spoilers for my family!) to help inspire handmade for the holidays!

Fortunately, Sew Sweetness just released Season 2 of her Minikin patterns.  This collection includes 13 patterns (many with multiple sizes) and accompanying videos.  If you didn’t know already, I’m a huge fan of these patterns and love how unique they are.  (You can check out my Sidewinder from Season One here.)  The Minikins offer such a great variety of patterns and I love having the library of patterns available when I need a gift.

My youngest son was invited to birthday party for a little girl about a month ago.  It’s hard as a boy-mom trying to figure out what’s popular, so I figured handmade is the best way to never have the same gift as another guest.  Luckily, I had this great Alexander Henry Unicorn fabric already in my stash, because we know ALL girls (young and old) love Unicorns 😉  The Disco Double-Zip Pouch, even in the small size, provided great side panels to show off these magical creatures.

To really make this bag special, I used Red Glitter Vinyl on the bottom gusset to add some sparkle.  Although the vinyl is thin, it is still stiff and required a bit of wrestling along with a lot of clips.  You will need to make quite a few extra cuts into the seam allowance to sew around the curve of the side panels.  But, it’s all worth it!

When I first decide on this pattern, I figured this pouch would be great to carry little knick-knacks and maybe some markers.  But I quickly realized the compartments were bigger than what I imagined in my head.  My son’s friend could carry a lot of her toys in these generous pockets.  So, I thought adding straps would make the Disco Double-Zip more like a little carry-all.

I omitted the side handle and cut (2) 3′ x 18″ strips of the vinyl,  folded them lengthwise into fourths and sewed up both sides to create the straps.  Each short end was folded up by 1/2″, placed 1 1/2″ down from the top edge and 1 1/2″ in from the left/right of each side panel.   Tip: Use a Teflon foot and a larger needle to get through the layers of vinyl.

Since the straps were an afterthought, I used rivets to attach them to the bag.  But you could sew them on before attaching the zipper gusset to the side panels.  I also used the rivets on the Glitter Vinyl at the end of each zipper to give the bag a more professional look.

Disco Double Zip by Love You Sew

The mom of the birthday girl told me this bag was such a hit and her daughter carries it around everywhere!  My son’s friend loved the Unicorns mixed with all the sparkle and she is so happy that she can put so much in her own little bag.  I call that a success and hope you have someone who could appreciate a Disco Double-Zip Pouch just as much!

Project Stats:

 

Happy Holiday Sewing!

Cristy

 


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Quilted Envelope Clutch :: Free Tutorial

quilted-envelope-clutch_title

Envelope Clutches are everywhere right now and I was inspired by it simple and timeless shape.  This Quilted Envelope Clutch design is over-sized to give you ample room for all of your essentials, but still is nice  enough to go from day to night.  It’s a sleek bag when paired with the right faux (or real) leather.  Coincidentally, this clutch design also fits a MacBook Pro perfectly, so its versatile and you can change up the fabrics to make it as laptop holders.

As I wrote in last week’s post from the Observer blog tour here, I like to show how hip and modern quilting can be.  I love how the piecing of a half log-cabin accentuates the envelope shape and the monotone palette keeps it chic.  Simple quilting adds enough texture and detail without being over-the-top…or over-worked.

This tutorial is for the faux leather version and finishes at approximately 14 3/4″ x 10 1/2″.  As with all patterns, don’t jump the gun…please ready through the instructions in their entirety.  Shoot me an email and/or leave me a comment if you have any questions.  Enjoy!

Materials Required:

  • Faux leather/ Vegan leather / Vinyl (1/2 yd)
  • Lining & Pocket Fabric (1 yd)
  • Pieced Panel scraps (1/4 yd)
  • Pieced Panel Lining Fabric (1/4 yd)
  • Woven Fusible Interfacing [Pellon SF101] (2 1/2 yds)
  • Ultra-firm Sew-In Interfacing [Pellon 70 Peltex] (1 yd)
  • 9″ Zipper
  • Magnetic Snap
  • Coordinating Thread(s)
  • Poster Board (optional for cutting pattern templates)
  • Spray Baste or Fabric Glue Pen (optional)
  • Clover Clips

 Cutting Instructions: 

  1. Create the body and center panel cutting templates following the black numbers.  Make markings for the numbers and lines in purple.
    • Cut the angles by finding the mid-point of the short-sides of each template.  cutting-template
    • Round out each of the “envelope points” using a large spool of threadimg_7001
  2. Use your larger template to cut:
    • (1) Body with faux leather
    • (1) Lining
    • (2) Woven Fusible Interfacingsp1060660
  3. With the Firm Sew-In Interfacing, cut:
    • (2) 14 3/4″ x 9 3/4″ rectangles
    • (1) Triangle per the following photo:img_7014a
  4. For pieced Center Panel (as a half log-cabin), cut:
    • (1) 2 1/2″ x 2 1/2″ square
    • (34) 5″ x 1 1/2″ strips
    • Use smaller template to cut (1) Center Panel liningp1060674
  5. For Lining Pockets, cut:
    • (1) 16″ x 11″ rectangle with the lining fabric
    • (1) 16″ x 11″ rectangle with fusible woven interfacing
    • (1) 9″ x 4 1/2″ rectangle with faux leather

Construction:

(1/4″ seam allowance unless otherwise noted)

  1. Interface the body.  *Please check and test the heat settings beforehand.  Not all vinyl/faux leather is created equal.

    • Place the Peltex pieces per the following photo.  Leave 3/8″ allowance all around the edge of the vinyl.  Keep 3/4″ in between the (2) 14 3/4″ x 9 3/4″ pieces.  Make sure you align the Peltex triangle long edge with the top corners of the vinyl.  You can can secure them in place with a little spray baste or with Sewline glue pen.  *It’s important to have the Peltex split into 3 pieces to give the ease and flexibility where the clutch will fold.  It will also alleviate some of the “cracking” appearance that can happen with interfacings that are forced to moved a lot.p1060663
    • Use one of the fusible woven interfacing pieces and fuse on top of the firm sew-in interfacing.  You may need to work the edges of the SF101 around the Peltex with your iron. Set aside.interface-vinyl
  2. Fuse the 2nd piece of fusible woven interfacing to your lining.  Set aside
  3. Fuse the pocket fusible woven interfacing to the pocket lining fabric.  Set aside
  4. Prepare Center Panelp1060670
    • Piece as desired.  I used a traditional half log-cabin design, but you can use anything that you like as long as it can be trimmed to the Center Panel template you created earlier.
      • Line up the short-end of the first strip (gray-blue speck) with the edge of the square (eagle) and sew with 1/4″ seam allowance.  Press open
      • Line up the short end of another strip (navy dashes) with the opposite edge of the square (eagle) and sew.  Alternate sides until you have used all 34 strips.
      • Use Center Panel template and trim to fit.
    • Assemble the Center Panel by placing the right-sides of the center piecing with the center panel lining.p1060675
    • Sew all around leaving an opening at the TOP to turn.p1060676
    • Notch out the BOTTOM and all cornersp1060678
    • Pull right-side out and press
  5. Line up the center panel on top of the right-side of the faux leather.  Make sure it’s even on both sides of the panel.  You can secure it into place using pins since you don’t see the faux leather.p1060680
  6. Topstitch into place.  It may seem easier to have sewn this panel onto the vinyl before all of the interfacing, but this is how you will secure all of the Peltex into place and prevent any shifting with use.p1060683TIPS:
    • Use upholstery thread or any other nylon/polyester thread.  I like the upholstery for the heavier weight, the sheen, and it glides well through all of the layers.
    • Increase your stitch-length to at least 3.0 for a nice look
    • Use a walking foot for even stitches
    • You may need to increase your needle size if the thread is not pulling through and/or you are getting skipped stitches
    • Keep matching all-purpose polyester thread in the bobbin.  It helps with skipped stitches.
  7. At this point, you can quilt the vinyl, if desired.  Set the body aside.IMG_6780 IMG_6880
    • TIP:  Use washi tape for your guidelines. Chalk and pen will easily smear off the faux leather.IMG_6772
  8. Attach pockets onto lining
    • With the flat edge of the lining on top and right side facing you, measure 3″ down from the straight edge and 3 1/4″ in on either side.  Pin (where you will sew) the faux leather into place 1/8″ from the edges (marked in yellow.)  You can leave this as a large slip pocket or you can divide it for your cell phone.  I marked mine 3 1/2″ in from the edge to hold an iPhone 6. Sew the three edges into place and then the dividing seam (marked by yellow.)img_7026
  9. Turn the lining 180 degrees.  With the right-side facing you, mark 10 1/2″ down from the top of the lining and pin the short-side of the  pocket lining fabric there.  Mark a rectangle 1″ down from the top and sides of the pocket that is 9″ x 3/8″ (blue pen.)  p1060690
  10. Sew all-around the 9″ x 3/8″ rectangle on the marks you made.  Cut through the rectangle as shown, stopping about 1/4″ from the end (red pen lines.) [Image a]. Make small cuts from the middle out to each corner, getting close to the stitches, but not cutting directly through.  Push pocket through the hole [images b & c] and press [image d].lining-pocket-collage
  11. With the right side of the lining facing you, line up the zipper in the opening just created.  Either pin in place or use Sewline glue pen.  Sew 1/8″ all around the opening.img_7024
  12. With the wrong-side of the lining facing you, fold up the pocket so the short-sides match.  Press on the fold.  Pin all around the pocket, but not including the lining. Sew pocket shut (following blue dashed lines in pictures.)  Make sure you move the lining out-of-the-way as you sew.img_7025

Assembly:

  1. Now match the right-sides of the lining and body together.  Clip in place and sew all around the edge (marked in blue) with a 3/8″ seam allowance.  Back-stitch when you start and end leaving a 5″ opening to turn. Notch out corners and the top of the clutch.  Be very careful not to cut through any stitches.img_7032
    • TIP:  Use a compensating foot or a zipper foot since the Peltex give you can uneven surface. img_7034
  2. With wrong sides together, make markings for your magnetic snap and install per manufacturer’s instructions.  With the point being so narrow at the top of the clutch, you may need to move your snap up or down to make sure there is enough clearance for all parts of the clasp.  For the male part, I marked mine 1 1/4″ down from the top edge of the lining and marked the female where it hit the body (approx. 7″ from straight short side.)
    • TIP: Before you install, reinforce where you will cut with a scrap piece of interfacing.p1060602
  3. Turn the body right-side out and press with the lining facing up.  Be careful not to press the faux leather directly with your iron.
    • TIP:  Use Clover Clips on the edges to help them stay flat and/or hammer them as well.  Hammering helps to flatten the edges so top-stitching will be easier in the next step.  Test the hammer method on scrap to make sure the hammer doesn’t leave marks.
  4. img_7036Time to {finally} make the envelope!
    • Top-stitch along the straight short-end of the body (red dashed line)
    • Fold the front of the clutch up 10″ to create the main pocket and secure the sides into place with Clover Clips
    • Top-stitch all along the clutch (following the yellow dashed line)
      • TIPS:
        • Use a large 16 or 18 needle to get through all the layers
        • Increase stitch-length to 3.5-4.0 and use your walking foot to achieve even stitches
        • GO SLOW so that you do not skip stitches
        • Hammer the edges again, if needed
        • Leave long thread tails so you can pull them through the lining and hide for a cleaner finish
    • Hide thread tails by pulling them toward the lining, knot, then bury.
    • Press the lining

img_7063

If you want to get extra fancy, you can add some additional finishes.  Some examples are:

  • Sew a wristlet handle with hardware (as shown)
  • Just add the D-ring so you can attach some fun tassels.
  • Include a key fob on the inside
  • Attach rivets and grommets

img_7042

 

CONGRATS!!!  You have made a #LYSquiltedenvelopeclutch!  Please, please share your creations.  I would love to see them all!

As long as you credit Love You Sew with the pattern (because it took me a long time to write this all up,) you are free to sell the finished clutch.

Product Details (Sources in Links):